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・ Theory of International Politics
・ Theory of intervening opportunities
・ Theory of justification
・ Theory of Kashmiri descent from lost tribes of Israel
・ Theory of knowledge (IB course)
・ Theory of Legal Norms
・ Theory of Lie groups
・ Theory of Literature
・ Theory of mediation
・ Theory of mind
・ Theory of Motivated Information Management
・ Theory of multiple intelligences
・ Theory of natural limits
・ Theory of obligationes
・ Theory of operation
Theory of painting
・ Theory of Pashtun descent from Israelites
・ Theory of Phoenician discovery of the Americas
・ Theory of planned behavior
・ Theory of Probability and Its Applications
・ Theory of pure equality
・ Theory of reasoned action
・ Theory of relativity
・ Theory of religious economy
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・ Theory of the Absolute Individual


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Theory of painting : ウィキペディア英語版
Theory of painting
The idea of founding a theory of painting after the model of music theory, was suggested by Goethe in 1807, and gained much regard among the avant-garde artists of the 1920s, the Weimar culture period, like Paul Klee.〔〔
==From Goethe to Klee==
Goethe famously said in 1807 that painting "lacks any established, accepted theory as exists in music".〔Moshe Barasch (2000) ''(Theories of art - from impressionism to Kandinsky )'', part IV 'Abstract art', chap. 'Color' pp.332-3〕〔Goethe 19 May 1807, conversation with Riemer〕 Kandinsky, in 1911, reprised Goethe, agreeing that painting needed a solid foundational theory, and such theory should be patterned after the model of music theory,〔 and adding that there is a deep relationship between all the arts, not only between music and painting.〔Kandinsky p.27〕
The comparison of painting with music gained much regard among the avant-garde artists of the 1920s, the Weimar culture period, like Paul Klee.〔Marcel Franciscono ''Paul Klee: His Work and Thought'', part 6 'The Bauhaus and Düsseldorf', chap. 'Klee's theory courses', p. 246 and under 'notes to pages 245-54' p.365〕

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