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Theory of painting : ウィキペディア英語版 | Theory of painting The idea of founding a theory of painting after the model of music theory, was suggested by Goethe in 1807, and gained much regard among the avant-garde artists of the 1920s, the Weimar culture period, like Paul Klee.〔〔 ==From Goethe to Klee== Goethe famously said in 1807 that painting "lacks any established, accepted theory as exists in music".〔Moshe Barasch (2000) ''(Theories of art - from impressionism to Kandinsky )'', part IV 'Abstract art', chap. 'Color' pp.332-3〕〔Goethe 19 May 1807, conversation with Riemer〕 Kandinsky, in 1911, reprised Goethe, agreeing that painting needed a solid foundational theory, and such theory should be patterned after the model of music theory,〔 and adding that there is a deep relationship between all the arts, not only between music and painting.〔Kandinsky p.27〕 The comparison of painting with music gained much regard among the avant-garde artists of the 1920s, the Weimar culture period, like Paul Klee.〔Marcel Franciscono ''Paul Klee: His Work and Thought'', part 6 'The Bauhaus and Düsseldorf', chap. 'Klee's theory courses', p. 246 and under 'notes to pages 245-54' p.365〕
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